Juneau/Projects/
Philip Duckworth & Ben Sadler
Philip Duckworth
Born in Iselohn, Germany 1976
Lives and works in London
Education
1996 – 1999 BA Coventry
Ben Sadler
Lives and works in London
Born in Birmingham 1977
Education
1995 – 1998 BFA Ruskin School of Art
2002 – 2004 MA Royal College of Art
Solo Exhibitions
2008
I went to the Woods, Launch of new album, New Art Gallery, Walsall
Art Now Sculpture Court, Tate Britain
2007
Woodcraft Folk, f a projects, London
Aggressive Localism, MIMA (Middlesbrough Institute of Modern Art)
2006
The Black Moss, Ikon Gallery, Birmingham, touring to FACT, Liverpool; Wysing Arts, Bourn, Model Arts, Slygo, Ireland and Glynn Vivian Art Gallery, Swansea
2005
Will I See Another Highway, Blackpool Museum of Contemporary Art
Stag Becomes Eagle, RSPB Aveley Marshes, Essex
2004
Driving Off The Spleen, f a projects, London
motherf**king nature, The showroom, London (catalogue)
2003
Ban This – The Remixes, Sunflowerlounge, Birmingham
Group Exhibitions
2008
Experimenta FOLKLORE, Frankfurter Kunstverein, Frankfurt am Main
Did i tell you last week that i'm going to become a barbarian? Plan 9, Bristol
2007
Joke, Satire, Irony and Serious Meaning, European Triennial of Small-Size Sculpture, Gallery of Murska Sobota, Slovenia (catalogue)
Extreme Craft, CAC Vilnius, Lithuania
Play yourself, Gimpel Fils, London
Binary Oppositions, Citric Gallery, Brescia, Italy
Urbis, Manchester
Honorable Ordinaries, Bigger Picture commission, Manchester, touringto Leeds, Sheffield, Cambridge
You are the music while the music lasts, Radar, Loughborough University Art Projects
2006
Reckless Behaviour, J.Paul Getty Museum, Los Angeles
Filmperformance, Modern Art, Oxford
Echigo-Tsunari Triennial, Japan (catalogue)
2005
Art Sheffield 05, Spectator T, Sheffield
British Art Show 6, Hayward Gallery Touring Exhibition, Baltic, Gateshead; Manchester; Nottingham; Bristol (catalogue)
Young Masters, 148A St James Street, London
All For Show: UK Video Works Retrospective, Edgezones, Miami; Het Wilde Weten, Rotterdam; Galerie Verticale, Montreal, Southern Exposure, San Francisco; Physics Room, New Zealand; High Street Projects, New Zealand; Nexus, Philadelphia; Sly Art Space, Taipei; Studio 207, Chicago; Lump Gallery, Raleigh, North Carolina
2004
Romantic Detachment, P.S.1, New York; Chapter (The Centre For The Contemporary Arts_Canolfan Y Celfyddydau Cyfoes), Cardiff, Wales
The Deceleration Project, Spitalfields, London
Emergency, Aspex, Portsmouth
2003
Group shows are a waste of time, Hoxton Distillery
Asia Print Adventure, Hokkaido Museum of Modern Art, Japan
Radio Radio, various radio broadcasts and web audio
Vacant, Reg Vardy, Sunderland
Roadshow – a grizedale arts touring, Grizedale; Ikon, Birmingham; Lickey Hills, Birmingham; Blaneau Ffestiniog, Wales; Duncan of Jordanstone, Dundee.
Chockerfuckingblocked, Jeffrey Charles Gallery, London
Air Guitar opening event, Angel Row, Nottingham
2002/3
Crawford Open 03, Cork, Ireland
2002
Let's Roll (Romantic, You Know), Apex Arts, New York
Landmarks, Brewhouse, Taunton
Lawless, Grizedale Arts, Cumbria
Northern Exposure, Colne, Lancashire
Live in Your Forest, Grizedale Arts, Cumbria
Broad Casts, Cubitt Gallery, London
Lodestar Launch, Susumi, Derby
Outwardbound, Norwich Gallery, Norwich
Mostyn 12, Oriel Mostyn, Llandudno
No Sleep Till Hammersmith, Central Space, London
It Rocks, But Gently, Folly Gallery, Lancaster
2001
The Great Escape, Grizedale Arts, Cumbria
East of Eden, Spacex, Exeter
Grizedale Live, Grizedale Arts, Cumbria
Fellowships
New Art Gallery Walsall Residency, 2008
Stanley Picker Fellowship 2007/2008
Publications
2007
Joke, Satire, Irony and Serious Meaning, European Triennial of Small-Size Sculpture, Exhibition Catalogue, Gallery of Murska Sobota, Slovenia
2006
The Black Moss, Exhibition catalogue, Ikon Gallery, Birmingham
2004
Crawford Gallery Open 01 – 04, Exhibition catalogue, Crawford Gallery
Selected Biography
2007
David Stubbs, 'Cross Platform: Sound in other Media: Juneau projects', The Wire', October IssueMatt Price, “Out There: Contemporary Art from the West Midlands” in ‘New Art Birmingham’, Fused Magazine, March
Sally O’Reilly, ‘Juneau/Projects/: Woodcraft Folk’, Spike, Issue 11, Autumn
Matt Price, ‘Juneau/Projects/ at f a projects, London’, Saatchi-Gallery Magazine, February
Adam Jasper, ‘Rocking the Block: Woodcraft Folk’, ArtReview, Issue 8, February
Nick Ferguson, ‘Woodcraft Folk’, Art Vehicle, Issue 8, January
Helen Sumpter, ‘Juneau/Projects’, Time Out, 24-30 January
‘The Woodcraft Folk Go Emo’, The London Paper, 10 January
Richard Moss ‘Emo turned into art for Juneau/Projects/ London exhibition’, 24 Hour Museum, January
2006
‘Exhibitions: Pick of the Week’, The Guardian, 13 May
Dave Freak, ‘Inspiration is in the Woods’, Birmingham Mail, 12 May
‘The Black Moss’, The Guardian, April
‘Exhibitions: Pick of the Week’, The Guardian, 29 April
‘Exhibitions: Pick of the Week’, The Guardian, 22 April
‘Exhibitions: Pick of the Week’, The Guardian, 15 April
Laura Cumming, ‘Art: Critics Pick’, The Observer, 2 April
Dave Freak, What’s On, March-April
Review of The Black Moss, The Metro, March 29
Terry Grimley, ‘Artist’s Big Bang Theory’, Birmingham Post, 31March
Dan Davies ‘Do y’know Juneau?’, Ideasfactory, Feature 12
2005
Emma Mahony, Juneau/Projects, British Art Show 2005
2004
Katherine Hibbert, ‘Driving Off The Spleen’ in “Arts Edited by Francesca Gavin”, Intersection, September
Kirsty Ogg, Motherf King Nature, The Showroom, 14 January – 22 February
Lina Dzuverovic-Russel, ‘ Motherf**king Nature’, The Wire, April
Dan Wilkinson, ‘Motherf**king Nature’, Flash Art, March – April
Sarah Kent, ‘The Deceleration Project’, Time Out, 24 – 31 March
Marian Herbert, ‘Motherf**king Nature’, Time Out, 28 January – 04 February
2003
Catherine Grant, ‘Group Shows Are a Waste of Time’, Flash Art, October
Andrew Hunt, ‘Anglo Ponce’, Frieze, October
Catherine Bertola, ‘Something in the ether’, [A-N] Magazine, May
2002
‘Outwardbound’, Frieze, September
‘Lodestar Launch’, [A-N] Magazine, August
‘Outwardbound’, [A-N] Magazine, July
‘Juneau/Projects/Walkman/Lake’, [A-N] Magazine, May
‘Juneau/Projects/Digital Shy’, Art Review, May