Maria Marshall


Born in Bombay 1966
Lives and works in London


Education

Ecole des Beaux Arts, Geneve
Chelsea School of Art, London
Bachelor of Arts (Honours), Wimbledon School of Art, London


Solo Exhibitions

2007  
Potnia Thiron, Athens, Greece

2006
f a projects, London

2005
Galleria Raffaella Cortese, Milan
Ratio 3, San Francisco
Musée Dauphinois, Grenoble
Teché-Lévy Gallery, Brussels
Arndt + Partner, Berlin
Herzliya Museum, Herzliya, Israel

2004
Team Gallery, New York
Cosmic, Paris
Centre pour l’image Contemporaine, Geneva
Teché-Lévy Galerie, Brussels

2003
Salon 94, New York

2002
Fonds National d’Art Contempoarian, Marseille
Palais de Tokyo, Paris
Team Gallery, New York
The Swiss Institute, Project Space, New York
Site Gallery, Sheffield
Goteborgs Konsthall, Goteborg

2001
Arndt + Partner, Berlin
Freiburger Kunstverein, Freiburg
Art + Public, Geneva
Team Gallery, New York

2000
Dot, London
Dorothee De Pauw, Brussels
Galerie Vaclava Spaly, Prague
Galerie Emmanuel Perrotin, Paris
Yves St. Laurent, Paris
Oliver Art Center, CCAC Institute, Oakland
Gallery 400, University of Illinois, Chicago

1999
Team Gallery, New York
Ace Gallery, Los Angeles
Real Art Ways, Hartford

1998
Team Gallery, New York


Group Exhibitions


2007 
Fantasy –C’est pas jou ,Centre photographique d’Ile de France, Paris
Closed Circuit: Video and New Media at the Metropolitan, The Metropolitan Museum of Art, New York
Shenzen Biennal, Shenzen, Cina
Dolls, Galleria Raffaella Cortese, Milan

2006
RUNDLEDERWELTEN, Martin-Gropius-Bau, Berlin

2005
Leitsysteme zum Neuen?, Motorenhalle, Dresden
Consuming Passions, Art Gallery of Hamilton, Hamilton
Fear Gear , Roebling Hall, New York,
Bidibidobidiboo, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin
FIGURE IT OUT , Hudson Valley Center for Contemporary Art, Peekskill
ORIGIN: MOTHER AND CHILD, curated by Andrea Salerno and Carmen Zita Ferragamo Gallery/Project Space, New York
Will Boys Be Boys?, Museum of Contemporary Art Denver, Denver and Herbert F. Johnson Museum of Art, Cornell University, Ithaca
Galleria Raffaella Cortese, Milan
Fade to Black, Umea Kulturforvaltning, Umea
Press Play, Green on Red Gallery, Dublin

2004
National Collections, South London Gallery, South London
Mind the Gap, Kunsthaus L6, Feiburg
Dimension Folly, Galleria Civica di Arte Contemporanea, Trento
Presences et Apparitions/une visite particuliere, Fonds Regional d’Art Contemporain, Marseille
Borusan Centre for Culture and Arts, Istanbul
Silent Screams Difficult Dreams, Arndt + Partner, Berlin
Hochschule fur Bildende Kunste Dresden, Zwischenwelten, Dresden

2003
The American Affect, curated by Larry Rinder, The Whitney Museum of American Art, New York (catalogue)
ThrowBack, Team Gallery, New York
Ninos, Centro de Arte de Salamanca, curated by Cristina Zelich, Salamanca (catalogue)
Child in Time, Gemeentemuseum Helmond, curated by Frank Hoenjet, Helmond (catalogue)
Urban Collisions, Neuer Berliner Kunstverein, curated by Kathrin Becker, Berlin (catalogue)

2002
L’Herbier & Le Nuage, Musée des Artes Contemporains de la Communauté Française de Belgique, Honru (catalogue)
Fogg Art Museum, Harvard University, curated by Linda Norden, Cambridge
Nuit Blanche: plus qu’une image�, Aux Anciennes Pompes Funebres de la ville de Paris, curated by Caroline Bourgeois, Paris
Self/In Material Conscience, Fondazione Sandretto Re Rebuadengo per l’Arte, curated by Eric Mangion, Guarene d’Alba
Slow Motion, Ludwig forum fur Internationale Kunst, Aachen
New Acquisitions, Musee des Arts Contemporains, Grand Hornu
Family, The Aldrich Museum of Contemporary Art, curated by Jessica Hough, Ridgefield
Private Affairs: A Contemporary Video Exhibition, Kunst Haus Dresden, curated by Angelika Richter, Dresden
The Collective Unconscious, Migros Museum, curated by Hieke Munder, Zurich

2001
Casino 2001, Stedelijk Museum voor Actuele Kunst, curated by Jeanne Greenberg Rohatyn, Ghent (catalogue)
Urban Nature, Goteborgs Konsthall, Goteborg
Inaugural Program, Le Studio at Galerie Yvon Lambert, Paris
Objects in Mirror Are Closer Than They Appear, Team Gallery, New York
Video Jam, Palm Beach Institute of the Arts, curated by Michael Rush, Palm Beach
Unlimited, Art l 32 l Basel, Basel (catalogue)
Beau Fixe, Centre Photographique d’lle-de-France, Paris
In a Lonely Place, National Museum of Photography, Film and Television, curated by Greg Hobson, Birmingham
Chelsea Rising, Contemporary Arts Center, curated by David S. Rubin, New Orleans (catalogue)
Double Trouble, Borusan Centre for Culture and Arts, curated by Binnaz Tukin, Istanbul (with catalogue)
My Generation, Atlantis Gallery, Mark Nash and Alexandre Pollazzon, London
Wonderland, Baklar and Huntington Galleries, Massachusetts College of Art, curated by Lisa Tang, Massachusetts (catalogue)

2000-2001
Pretty Crimes, The Laing Art Gallery, Tyne-Wear Museums, Newcastle; travelling to: Glasgow Museum of Modern Art, Glasgow and York City Art Gallery, York (catalogue)

2000
GMI Screen, Leicester Square, curated by Katia Garcia and Institute of Conetmporary Arts, London, London
Some secrets, Kunsthalle St. Gallen, curated by Dorethea Strauss, St. Gallen
Sensitive: Photographie & Art Visuels, Le Printemps de Cahors, curated by Christine Macel, Cahors
Topologies, Whote Box, curated by Iair Rosenkranz, New York
Faith: The impact of Judeo-Christian Religion on Contemporary Art at the Millennium, curated by Christian Eckhart and Osvaldo Romberg, Ridgefield (catalogue)

1999
The Sexual Child, Bowdoin College Museum of Art, organised by Peter Coviello and Amy Honchell, Brunswick
Hi8, CAPC, curated by Alexandre Estrela, Cuimbra
Shiny, Shiny, Team Gallery, New York
Common People: British Art between phenomenon and reality, Fondazione Sandretto Re Rebaudengo per I’Arte, curated by Francesco Bonami, Torino
Space Place, Kunsthalle Tirol, curated by Hubert Salden, Salzlager

1998
Screening, Beaconsfield, London
The Art and Science of the Unborn Child, 210 Gallery, Welcome Trust, London


Publications
2007 
Elisavet Lyra, Ed. 'Maria Marshall: Sirens', Potnia Thiron, Athens

2002
Dorothea Strauss, Ed. Maria Marshall, modo verlag GmbH, Feiburg, Germany


Selected Bibliography

2006
Barry Schwabsky, ‘Maria Marshall: f a projects’, Artforum, December
Sally O’Reilly, ‘Maria Marshall: f a projects’, December- January
Martin Herbert, ‘Maria Marshall: f a projects’, Time Out, October
Thérèse St-Gelais, ‘Maria Marshall: Make Believe, Make Like, Make Violence’,
Parachute, Violence/Psycho Issue, July-August-September 2006
Pierre-Yves Desaive, ‘Maria Marshall, Brussels:Taché-Lévy Gallery’, Contemporary, Issue 81

2005
Paola Noe, ‘Maria Marshall: Raffaella Cortese’, Flash Art, October-November.
Francesca Pagliuca, ‘Maria Marshall: Galleria Raffaella Cortese’, Tema Celeste, October
Marco Ligas Tosi, ‘Maria Marshall: Raffaella Cortese’, Arte E Critica, August-September
Barbara Pollack, ‘Fear Gear: Roebling Hall’, Time Out New York, July 7-13.
Laszlo Murphy, ‘Maria Marshall’, Zero2, June.
Silvia Dell’Orso, ‘Maria Marshall’, La Republica, May 28.
Kenneth Baker, ‘Marshall at Ratio 3’, San Francisco Chronicle, May 7.
Richard Dyer, ‘Maria Marshall’, Contemporary, May.
Nancy Princenthal, ‘Maria Marshall at Team’, Art in America, February
Prets a preter: Acquisitions et rapport d’activities 2000/2004, Frac Provence-Alpes-Côte d’Azur,Marseille

2004
Roberto Pinto, ‘Dimensione Follia’, Work, Autumn.
Kim Levin, ‘Shortlist: Maria Marshall’, Village Voice, June 16-22

2003
Martha Schwendener, ‘Review’, Time Out New York, May 1.
Carol Schwarzman, ‘Review’, Art Papers, January-February.
Michael Rush, Video Art, Thames and Hudson

2002
Melissa Dunn and Charles Gute, ‘Casino 2001’, Flash Art, January-February.
Aura Satz, ‘Maria Marshall’, Tema Celeste, November-December.
Marie Godfrin-Guidicelli, ‘Le monde merveilleux de Maria Marshall’, Marseille L’Hebdo, November.
Peter Suchin, ‘Maria Marshall: Fine Lines at Site Gallery, Sheffield, UK,’ Contemporary, September.
Charlie Finch, ‘It is Time, Once Again, To Kill the Past, www.artnet.com, September 20.
Rachel Shuman, ‘Art Choice’, Time Out New York, September 12.
Christine Macel, ‘Just the Two of Us: Vidéo Sentimentale’, Art Press, May.
Nike Vallström, ‘Konsthall: Händelserika dagar på Konsthallen’, Göteborgs-Posten, April 13.
Von Frank Keil, ‘Einatmen, ausatmen’, Frankfurter Rundschau, April 11.
Mikael Olofsson, ‘Obehaglisgt gång på gång på gång på’, Göteborgs-Posten, March 26.
Caterina Testart, ‘Fem frågor’, Göteborgs-Posten, March 8.
Andreas Schlaegel, ‘ Maria Marshall at Arndt & Partner’, Flash Art International, January-Febaruay.

2001
Martin Engler, ‘Der Knabe in der Schlangengrube: Carravaggio trifft Kubrick: Maria Marshall erzeugt Bilder von alttestamentarischer Wuch’, Frankfurter Allgemeine Zeitung, December 28.
Karsten Umlauf, ‘Was soll der Kinderblick?’, Kultur Joker, December 21.
Martin Engler, ‘Schön und Bedrohlich’, Badische Zeitung, November 28.
Martin Engler, ‘Die Vivisektion des Privaten’, Kunstbulletin, November.
Tassilo Schneider, ‘Faszinierende Zumutungen’, Stadtkurier, October 4.
Kim Levin, ‘Shortlist’, The Village Voice, September.
Midori Matsui, ‘Maria Marshall’, Casino 2001, Stedelijk Museum voor Actuele Kunst, Gent, Belgium.
Martha Schwendener, ‘Review’, Time Out New York, April 12.
Christopher Bolen, ‘We Did You Not’, V Magazine, No. 10, Spring.
Stefano Pasquini, ‘Hidden Gems in a Crowded Fair: Arco Madrid’, New York Arts, April.
Charlie Finch, ‘Signs of Life on 26th Street’, www.arnet.com, March 26.
Kim Levin, ‘Voice Choices: Spring Arts’, The Village Voice, March 6.
Christine Temin, ‘Mass Art's 'Wonderland' brings fairy tales to life’, The Boston Globe, January 30.
Mary Sherman, ‘MCA creates a 'Wonderland’, The Boston Herald, January 28.

2000
Claude Lorent, ‘Les angoisses de Maria Marshall’, La Libre Culture, November.
Lizzy Balogh, ‘Video Displayed: Marketing Mixes Forms’, PAJ: A Journal of Performance and Art, September, Volume XXII, No. 3.
Keith Patrick, 'Sensitive, Printemps de Cahors’, Contemporary Visual Arts, September, Issue 30.
Véronique Dupont, ‘Monstres sacrés’, Numero, September.
Christine Macel, ‘Maria Marshall’, Sensitive: Photographie & Art Visuels, Le Printempts de Cahors, France, June.
Michael Rush, ‘Review’, Art in America, March.
Adam Lehner, ‘News—Open Season: Adam Lehner on Lawrence Rinder’, Artforum, March.
Jolene Thym, ‘No Puff Piece’, The Oakland Tribune, January 20.
Kenneth Baker, ‘Growing up in 18 seconds: Brief, powerful videos at CCAC’, San Francisco Chronicle, January 19.

1999
Andrea Scott, The New Yorker, December 13.
William Harris, ‘Making Viewers Wonder Why They're Uneasy’, The New York Times, December 5.
Kim Levin, ‘Voice Choices: Short List’, The Village Voice, November 30.
Matt Damsker, ‘Photo, Video Exhibits Show Off R.A.W. Galleries’, Hartford Courant, July 25.
Alistair Highet, ‘Real Art Waves’, Hartford Advocate, June 24.
Kate Bush, ‘Small Change’, Common People, Fondazione Sandretto Re'Rebaudengo Per L'Arte, Torino, Italia, June.
Francesco Bonami, ‘Different Common People’, Common People, Fondazione Sandretto Re'Rebaudengo Per L'Arte, Torino, Italia, June.
Carol Kino, ‘Review’, Art in America, March.
Christopher Chambers, ‘Review’, Flash Art International, January-February.

1998
Lawrence Nassau, ‘Review’, New York Arts Magazine, December.
Ken Johnson, ‘Review’, The New York Times, November 6.
Martha Schwendener, ‘Review’, Time Out New York, November 5.
Kim Levin, ‘Voice Choice, The Village Voice, November 3.
The New Yorker, October 26.


Selected Public Collections

The Solomon R. Guggenheim Museum, New York
The Metropolitian Museum, New York
Fonds Regional d’Art Contemporain, PACA Marseille
Musee des Arts Contemporains, Grand Honru
Bowdin College Museum of Art, Brunswick
The Progressive Collection, Cleveland
Fondazione Sandretto Re Rebaudengo per I’Arte, Torino
The Contemporary Arts Society, London
Site Gallery, Sheffield
Stedelijk Museum voor Actuele Kunst, Ghent
The Robert J. Schiffler Collection, Greenville